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From Cooperative Children's Book Center (CCBC)

In M.T. Anderson's dystopic future, people rely heavily on their "feeds": an uplink hard‑wired into their brains which bombards them with constant advertising and personalized buying guides, as well as allowing immediate " chats" with friends both near and far. Vocabularies have declined, disturbing news is repressed, and unbridled consumerism is the activity of choice. Teenager Titus and his friends spend without caution, from a Spring Break trip to the moon (which turns out to "completely suck") to buying clothes and updating hairstyles constantly (styles change throughout the course of a day). When Titus meets Violet, he's immediately attracted to this girl who stands out as different. As their relationship develops he discovers that Violet is different: she was home schooled, raised by parents who resisted popular culture, and didn't receive her feed until she was seven. She's interested in world events and isn't afraid to ask questions. When a hacker disrupts the teens' feeds, Violet's feed is damaged beyond repair, and she faces inevitable death. Eventually Titus isn' t able to withstand his peers' condemnation of Violet’s nonconformity, and he hides from the horror of her decline. Although he finally learns from his experience and begins to look beyond the self‑absorption rampant around him, it is too little, too late. This brilliant satire works on every level, from the slang evolved from today's jargon and the recognizable television shows that have descended another step into vapidity, to the characters of Titus and Violet, who struggle to save a doomed relationship. Some elements of the story are repulsive, like the mysterious lesions that the teens develop (and adopt as a fashion statement, even resorting to artificial lesions weeping latex), and the language is sometimes raw and profane, but the entire thought‑provoking package will challenge readers to take a hard look at consumerism and media control. (Age 14 and older)

CCBC Choices 2003 © Cooperative Children's Book Center, Univ. of Wisconsin - Madison, 2003. Used with permission.

From Publisher's Weekly

February 16, 2004
In this chilling novel, Anderson imagines a society dominated by the feed—a next-generation Internet/television hybrid that is directly hardwired into the brain. In a starred review, PW
called this a "thought-provoking and scathing indictment of corporate-and media-dominated culture." Ages 14-up.

From Horn Book

January 1, 2003
In this ingenious satire of corporate America and our present-day value system, Titus and his bored suburban friends are connected to one another, to merchandise, entertainment, even School(tm), through the "feed," a brain implant that provides instantaneous communication and information. Inventive details help evoke a world that is chillingly plausible. Like those in a funhouse mirror, the reflections the novel shows us may be ugly and distorted, but they are undeniably ourselves.

(Copyright 2003 by The Horn Book, Incorporated, Boston. All rights reserved.)

From Booklist

October 15, 2002
Gr. 9-12. In this strange, disturbing future world, teens travel to the moon for spring break, live in stacked-up neighborhoods with artificial blue sky, and are bombarded by a constant advertising and media blitz through their feeds. They live with a barrage of greed and superficiality, which only one teen, Violet, tries to fight. Intrigued by Violet's uniqueness, Titus begins a relationship with her in spite of his peers' objections. Yet even he cannot sustain the friendship as her feed malfunctions and she begins to shut down. "They" refuse to repair her feed because she is too perceptive and rebellious. This didactic, also very disturbing book plays on every negative teen stereotype. The young people are bored unthinking pawns of commercialism, speaking only in obnoxious slang, ignoring or disrespecting the few adults around. The future is vapid and without direction. Yet many teens will feel a haunting familiarity about this future universe. As a cautionary tale, the story works; it is less successful as YA literature.(Reprinted with permission of Booklist, copyright 2002, American Library Association.)

From School Library Journal

September 1, 2002
Gr 8 Up-For Titus and his teenaged friends, having transmitters implanted in their heads is as normal as going to the moon or Mars on vacation or as common as the lesions that have begun to appear on their bodies. Everyone's "feed" tells them everything they need to know-there's no need to read or write. All purchases are deducted from the credit account that's part of the feed. Talking out loud is rare because everyone "chats" over the feednets. Then Titus and his friends meet a girl named Violet at a party on the moon, and a hacker attacks them and damages their feeds. Everyone is OK except for Violet, who is told in secret that hers is so damaged that she is going to die. Unlike other teens, she is homeschooled and cares about world events. She's not afraid to question things and is determined to fight the feed. Anderson gives his characters a unique language that teens will relate to, but much of it is raw and crude. Young people will also appreciate the consumeristic lifestyle and television shows that are satirized in the book. Violet and her father are the only truly sympathetic characters. The other teens are portrayed as thoughtless, selfish, and not always likable. Only Titus learns anything from his mistakes and tries to be a little less self-centered. A gripping, intriguing, and unique cautionary novel.-Sharon Rawlins, Piscataway Public Library, NJ

Copyright 2002 School Library Journal, LLC Used with permission.

From Publisher's Weekly

Starred review from July 22, 2002
In this chilling novel, Anderson (Burger Wuss; Thirsty) imagines a society dominated by the feed—a next-generation Internet/television hybrid that is directly hardwired into the brain. Teen narrator Titus never questions his world, in which parents select their babies' attributes in the conceptionarium, corporations dominate the information stream, and kids learn to employ the feed more efficiently in School™. But everything changes when he and his pals travel to the moon for spring break. There Titus meets home-schooled Violet, who thinks for herself, searches out news and asserts that "Everything we've grown up with—the stories on the feed, the games, all of that—it's all streamlining our personalities so we're easier to sell to." Without exposition, Anderson deftly combines elements of today's teen scene, including parties and shopping malls, with imaginative and disturbing fantasy twists. "Chats" flow privately from mind to mind; Titus flies an "upcar"; people go "mal" (short for "malfunctioning") in contraband sites that intoxicate by scrambling the feed; and, after Titus and his friends develop lesions, banner ads and sit-coms dub the lesions the newest hot trend, causing one friend to commission a fake one and another to outdo her by getting cuts all over her body. Excerpts from the feed at the close of each chapter demonstrate the blinding barrage of entertainment and temptations for conspicuous consumption. Titus proves a believably flawed hero, and ultimately the novel's greatest strength lies in his denial of and uncomfortable awakening to the truth. This satire offers a thought-provoking and scathing indictment that may prod readers to examine the more sinister possibilities of corporate- and media-dominated culture. Ages 14-up.

From AudioFile Magazine

Enter a chilling, twisted future in which one's every thought and movement is directed and regulated by the "feed," a computer chip implanted in the brain. This dystopia is seen through the eyes of teenagers: some who embrace the feed and revel in its unbridled consumerism, and one who rails against society's rampant ignorance and banality. David Aaron Baker's superb use of inflection renders the teen voices realistic, from their vapid musings to profane outbursts that substitute for conversation. The ensemble cast, representing the cacophony of the feed, resembles the worst of today's inane commercials. This brilliant production for older teen listeners enhances Anderson's portrait of a world gone sour, in which even the adults have forgotten how to use language, and everything is dying, including the kids. S.G. Winner of AudioFile Earphones Award, Winner of 2004 ALA/ YALSA Recording, 2004 Audie Award Finalist (c) AudioFile 2003, Portland, Maine