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From Publisher's Weekly

November 25, 2013
Twain's classic novel describes the exploits of young Huckleberry Finn as he escapes his hometown and travels down the Mississippi River on a raft with escaped slave Jim. They encounter folks of all walks of life and repeatedly save one another from danger as they travel the American South. Eric G. Dove provides solid narration in this audio edition. Although his raspy, deep voice doesn't quite capture the youthful Huck and his naiveté, Dove delivers a lively performance that boasts unique character voices and believable accents. And his pacing is perfect throughout: it's appropriate to the material and more than able to hold listener attention.

From Horn Book

July 1, 2011
This picture book biography, covering Twain's varied adventures, from riverboating to writing to performing (as well as his markedly sad last years), complicates the narrative by having Huck ("You don't know about me, without you have read a book by the name of The Adventures of Tom Sawyer") tell the story. Soft-hued, often humorous watercolor and ink art helps readers navigate the text.

(Copyright 2011 by The Horn Book, Incorporated, Boston. All rights reserved.)

From School Library Journal

Starred review from March 1, 2011

Gr 4-8-What would Huck Finn have to say about his creator? Burleigh and Blitt take an unusual perspective in this picture-book biography. In Huck's colloquial voice, a portrait of Twain emerges that is engaging, accessible, and highly original. From his boyhood on the Mississippi, through his riverboat days, his writing and public speaking careers, and his adult family life, the main points of the writer's life are covered. Blitt's humorous illustrations are a perfect match for the tall-tale-inspired text. Rendered in pen, ink, and watercolor, the caricature style suits both Huck's voice and Twain's life. The muted blues and browns of the palette have an old-fashioned quality that amplifies the 19th-century setting. The cover illustration, of Huck on a book "raft" paddling with a fountain pen, cleverly demonstrates the book's premise. Although children will be entertained by the account, the most enthusiastic audience may be students familiar with Twain's work. One does not need to know Huck's story to understand Twain's, but doing so will increase appreciation for the ingenious nature of this collaboration.-Lucinda Snyder Whitehurst, St. Christopher's School, Richmond, VA

Copyright 2011 School Library Journal, LLC Used with permission.

From Booklist

February 15, 2011
Grades 2-4 The neat switcheroo in this picture-book biography has the story of Mark Twains life told by one of his most endearing characters, Huck Finn. As one might expect, Huck isnt the most articulate of narrators (I aint no highfalutin talker), and he would probably rather be doing just about anything else: This aint intendin to be some windy biografy. I dont lean much to writin, and I dont fetch to books much neither, specially long ones. Although Hucks narration is almost overwhelmingly folksy, his undeniably cheery tone is infectious. He succinctly traces Clemens life from a boyhood romping around the shores of the Mississippi to his odd-jobbing endeavors as a steamboat captain, newspaper reporter, soldier, and prospector until he finally finds his true calling, as a for-real writer, and becomes one of the most famous men in the world. Blitt, a frequent New Yorker cartoonist, provides jaunty, cartoony pen-and-watercolor artwork, with exaggerated, tall-tale figures and period charm aplenty. Just the biography to reinforce, or even introduce, Twains stature as a nearly mythological figure in American letters.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)

From Publisher's Weekly

Starred review from February 14, 2011
This playful biography of Mark Twainâ€"narrated by his most famous of characters, Huckleberry Finnâ€"begs to be read aloud with a backwoods twang. "Him bein' an author, you might 'spect he went to one of them fancy-pants schools people brag about. Heck, Sam hardly went to school at all! He growed up bein' poor, same as me, in a dusty village," declares Huck. Blitt (What's the Weather Inside?) contributes whimsical caricatures in pen, ink, and watercolor; a cherubic and ruddy-faced Huck, with a straw hat and a mop of hair over one eye, appears in each spread, appearing to play the dichotomous role of peeping tom and guardian angel (in one scene, he sprawls on a light fixture watching Twain write Huck's adventures as small cartoon figures of the characters paddle a raft right across Twain's pages). Enlarged and varied typefaces, used for emphasis and headings, may initially distract, but, as with the dialect, add to the delight. Burleigh's (Good-bye, Sheepie) book highlights the life of a great American author and is sure to whet readers' appetites for more about its straight-talking narrator. Ages 7â€"10.

From Kirkus

February 1, 2011

"Sam was born excited. He did stuff. He tramped and skylarked and poked his shovel into whatever tripped his fancy." If that sounds like how the fictional character Huckleberry Finn would describe his creator, Samuel Clemens (Mark Twain), then author Burleigh has at least nailed Huck-speak in this unorthodox picture-book biography for older Twainophiles. The "editors' " "Warning to the Reader" about the impending "ain'ts" and potentially confusing folksy expressions only calls attention to the dicey premise and begs the question, "Who is this for?" That said, Blitt's lovely, lively pen, ink and watercolors inventively illustrate Huck's affectionate, time-traveling, tour guide's view of Twain's life. A giant-headed Huck looks through a window, Ghost of Christmas Past–style, examining 11-year-old Sam, who's gazing forlornly at a picture of his late Pap, for instance. Huck journeys from Twain's Mississippi-loving, school-phobic boyhood years to his steamboat days to his "honest-to-goodness writer" career, to his family life, through hard times when he was "dead-for-earnest broke," to his death. At the end is another "editor's" note and timeline: "Since Mr. Finn's manuscript contains no dates and leaves out some important details." Huck says this "ain't intendin' to be some windy bioografy," and it isn't. It's a breezy homage to Twain's life and literary world that will please some, aggravate some and utterly baffle others. (Picture book/biography. 10 & up)

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

From Kirkus

September 1, 2010

This slender graphic adaptation of the Great American Novel preserves some of Twain's language, most of his plot and a good sense of his sardonic take on human society. Mixing dialogue balloons with enough boxed narrative to evoke Huck's distinctive voice, Mann packs in all of the major incidents and tones down at least some of the violence—the two con men are only "punished" here rather than specifically tarred and feathered, for instance. Similarly, though Huck gets viciously slapped around by his father in the pictures, in general there isn't much other blood visible. The illustrator's faces tend toward sameness, but Kumar populates his color art with strong, stocky figures, depicts action effectively and, by using irregular frames and insets, sets up an engrossing helter-skelter pacing. A good choice for readers who aren't quite up to tackling the original, with perfunctory but well-meant notes on Twain's life and the history of slavery in the United States. Co-published with its prequel, The Adventures of Tom Sawyer, adapted by Matt Josdal, illustrated by Brian Shearer (ISBN: 978-93-80028-34-7). (Graphic classic. 12-14)

(COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

From Library Journal

July 7, 2008
Considered the first great American novel, part of Finn's charm is the wisdom and sobering social criticism deftly lurking amongst the seemingly innocent observations of the uneducated Huck and the even-less-educated escaped slave, Jim. William Dufris's voice, unpretentious and disarming, like the book's main characters, seems the perfect armature on which to hang this literary strategy. Although he does an expert job with the entire cast, Dufris's delivery of Jim's dialogue is his crowning achievement. Out of context, Dufris's Jim might sound mocking and racist, due to his expert delivery of Twain's regional vernacular. Ignorance and intelligence, however, are not mutually exclusive, and taken as a whole, Jim's mind and heart come shining through, allowing the listener to reflect on their own assumptions. Tantor Media includes the entire text as a digital e-book on the final CD, a wise and thoughtful move in a market with swift and changing currents.

Copyright 2008 Library Journal, LLC Used with permission.

From Publisher's Weekly

March 17, 2008
Considered the first great American novel, part of Finn's charm is the wisdom and sobering social criticism deftly lurking amongst the seemingly innocent observations of the uneducated Huck and the even-less-educated escaped slave, Jim. William Dufris's voice, unpretentious and disarming, like the book's main characters, seems the perfect armature on which to hang this literary strategy. Although he does an expert job with the entire cast, Dufris's delivery of Jim's dialogue is his crowning achievement. Out of context, Dufris's Jim might sound mocking and racist, due to his expert delivery of Twain's regional vernacular. Ignorance and intelligence, however, are not mutually exclusive, and taken as a whole, Jim's mind and heart come shining through, allowing the listener to reflect on their own assumptions. Tantor Media includes the entire text as a digital e-book on the final CD, a wise and thoughtful move in a market with swift and changing currents.

From Horn Book

July 1, 2006
These inexpensive condensed versions of classic novels are quickly paced and competently told, with occasional black-and-white illustrations adding spice. Still, one wonders why the adaptations were created in the first place. Some tales (e.g., [cf2]Gulliver's Travels[cf1]) are already suited for children; others gain their depth from complexities of material and language, which is excised here for age-appropriateness.

(Copyright 2006 by The Horn Book, Incorporated, Boston. All rights reserved.)

From Publisher's Weekly

October 1, 1985
In this centenary year of the first American edition of Huckleberry Finn, Neider, who has worked long and well in the thickets of Twain scholarship (this is the ninth Twain volume he has edited), offers a most fitting tribute, for which he will be thanked in some quarters, damned in others. Neider's contribution is twofold: he has restored to its rightful place the great rafting chapter, which the author had lifted from the manuscript-in-progress and dropped into Life on the Mississippi, and he has abridged some of the childish larkiness in the portions in which Huck's friend Tom Sawyer intrudes into this novel. For decades, critics have lamented the absence of the "missing'' chapter and deplored the jarring presence of Tom in episodes that slow the narrative, but not until now has anyone had the temerity to set matters right. In paring back the ``Tom'' chapters (which he fully documents in his lengthy, spirited introduction, with literal line counts of the excised material), Neider has achieved a brisker read. Though there may be some brickbats thrown at him for this ``sacrilege,'' few should object to the belated appearance of the transplanted rafting chapter in the novel in which it clearly belongs. October 25

From AudioFile Magazine

One of the better unabridged recordings of Mark Twain's masterpiece is on par with others vis-ˆ-vis interpretation and excels in sheer beauty. In this impeccably quiet release, Tom Parker (aka Grover Gardner) contributes a resonant announcer's baritone, superb technique, musical expressiveness, and a fond, intelligent understanding. He is less a narrator here than a storyteller, one of the best this reviewer has heard, sounding as if he were speaking extemporaneously. Of the half-dozen recorded renditions I've auditioned, this is the one that best expresses the brilliance of Twain's rendering of dialect and a rural boy's sensibility. A judicious use of sound processing enhances his performance. Y.R. Winner of AudioFile Earphones Award (c) AudioFile 2002, Portland, Maine